After spring there are days like this. “Before spring there are days like this...” analysis. Themes and mood

Anna Akhmatova

Before spring there are days like this:
The meadow rests under the dense snow,
The dry and cheerful trees are rustling,
And the warm wind is gentle and elastic.
And the body marvels at its lightness,
And you won’t recognize your home,
And the song that I was tired of before,
Like new, you eat with excitement.

Anna Akhmatova once admitted that she does not know how to be friends with women, whom she considers envious, selfish and stupid. However, in her life there was still someone whom she, although with a stretch, still considered her friend. This is the hope of Chulkov, the wife of the famous Russian writer who helped Akhmatova publish her first poetry collections. It was with this woman that the poetess shared her creative plans and in 1915 even dedicated the poem “Before spring there are days like this...” to her.

The reason for writing this work was a long-standing dispute between Akhmatova and Chulkova, during which the writer’s wife suggested that the poetess try herself in the genre of landscape lyrics in order to objectively assess her creative potential. Chulkova was embarrassed by the fact that Akhmatova, being a married woman, writes poems about love for other men who exist only in her imagination. Therefore, in the early spring of 1915, while on the Slepnevo estate, which belonged to the family of Nikolai Gumilyov, the wife of the poetess, Akhmatova decided to follow the advice of her friend. However, she did not consider it necessary to describe the process of nature awakening from hibernation. The poetess was much more worried about the feelings that she experienced when looking at the meadow, which “rests under the dense snow” and the “cheerfully dry” trees, rustling from the slightest gust of wind.

On days like these, as the poetess admitted, her worldview becomes completely different, as if she feels everything that surrounds her in a new way. “And your body marvels at its lightness, and you don’t recognize your home,” notes Akhmatova. It is precisely such changes in the soul, and not a warm and gentle wind, that are a sure sign of the coming spring, which seems to renew the poetess from the inside, filling her with incomprehensible joy and expectation of a miracle.

It is on days like these that Akhmatova feels different and understands that life is taking another turn, and the past is leaving without regret. And even the old song, “which was boring before,” now sounds completely new and is filled with a completely different meaning, which is in tune with the mood and feelings. For Akhmatova, spring, first of all, is associated with deep emotional experiences, in which there is a place for awareness of the transience of life, rethinking of one’s own actions, new ideas and hopes. And this is precisely what gives her the strength to live on, without looking back and without reproaching herself for mistakes that can no longer be corrected.

Anna Andreevna Akhmatova

Chulkova Nadezhda Grigorievna

It was with this woman that the poetess shared her creative plans and in 1915 even dedicated the poem “Before spring there are days like this...” to her.

Anna Akhmatova's poem "Before spring there are such days" is distinguished by its brevity and genius, like many of the works of the great poetess. The work describes the time when winter ends and spring is about to come. Snowdrifts are still visible everywhere, but the air is already filled with a special taste. Nature does not sleep, it is ready to awaken. The "cheerfully dry" trees are ready to put out their buds, but the right time has not yet come. The anticipation of warmth is just in the air. This is exactly that unspoken moment when everyone understands - winter is over!

Anna Akhmatova expressed the feelings of a simple person who does not know how to speak poetically. A new thirst for life, new aspirations, and undertakings are especially strong at such a time. Self-confidence allows you to hope only for the good.

The poetic techniques used by the author allow the full depth of feelings to be expressed in eight short lines. Akhmatova metaphorically described the trees in such a way that you can imagine them by closing your eyes. The poem uses the anaphora technique, four lines begin with “and”, which enhances the overall mood. The first four lines express anticipation with their flowing narration, while the following lines are a clear expression of how exactly the body and soul perceive spring.

The awakening of nature here symbolizes the awakening of the human soul, the impulse for active action, the desire to get rid of negativity and perceive the old boring environment in a new way. Restrained joy is expressed in poetic lines. A long and cold winter always inspires fear; it seems that it will last forever, but at some point a special note begins to disturb the strict winter melody.

First one, barely audible, then two, and then the melody of spring flows in like a ringing drop, and winter reminds itself less and less. Nature is resurrected. This early spring is a special time, you want to live, love, do reckless things. On such days, confidence in the positive outcome of any endeavor is especially strong.

The poetess was very fond of Russian nature, which was akin to her sensitive nature. Only a Russian woman could describe the lyrical landscape of her native land in such a way, subtly feel the mood of the surrounding beauty and convey it to the readers of the poem. And now, after many years, among the trees beginning to wake up, a piece of the soul of the great poetess and simply Russian woman is hidden in a flickering shadow.

Literary analysis

The work is one of the shortest, but at the same time brilliant poems of the poetess, describing the awakening of the surrounding nature at the beginning of spring after a heavy winter sleep.

The poem is a landscape lyric, having iambic pentameter combined with paired rhyme as a poetic meter.

The compositional structure of the poem consists of a small volume of eight lines, presented in the form of two conventional parts, the first of which contains a state that conveys the mood of expectation, and the second quatrain expresses the feelings of the lyrical heroine that came with the onset of spring.

As a means of artistic expression, the poem uses numerous metaphors (cheerfully dry), epithets (dense, warm), personification (the meadow is resting), as well as anaphora, which consists in the use of a repeated letter “i” at the beginning of several lines. These literary techniques allow us to convey the emotional feelings of the lyrical heroine more deeply and emotionally. The main focus of the poem is the change of seasons in the surrounding nature, presented in the form of a borderline natural state, expressed in a restrained joyful intonation, and emphasized by the image of the lyrical heroine.

The musical coloring of poetic expressions fills the work with a feeling of a special taste of spring air, in which there is a natural expectation of the imminent arrival of warmth and sun. At the same time, the anticipation of the onset of the spring season is associated in the poem with the author’s state, full of reflections on the transience of human life, the meaning of life, the relationship between man and nature and incessant dreams of a happy future personal destiny.

A distinctive feature of the work is the combination of a simple narrative with highly poetic expressions, allowing one to feel the emotionality and at the same time restraint of the peaceful content.

In the image of early spring, the poetess represents the resurrection of nature frozen in hibernation, which symbolizes the renewal of the human soul, eager for future aspirations. The winter melody of sleep gradually begins to include a special spring motif in the form of a ringing, but barely audible drop. Through the repetition of sounds, as well as the alternation of short and long lines, the lightness and novelty of the feelings experienced by the lyrical heroine are demonstrated, in which echoes of a premonition of some kind of madness and inspiration are heard.

With the help of the author's hints, the poem is presented as a form of confidential conversation with the reader, in which the poetess shares her personal feelings of spring awakening, which the author associates with inevitable changes in human life. The description of natural pictures reflects the inner state of the soul of a person who is in anticipation of new sensations that bring joy, calmness, tenderness and warmth.

Option 3

The difference between a poet and an ordinary person largely lies in the ability to put sensations and feelings into words. Of course, you need to feel sensitively and subtly, but in reality it is difficult to imagine that even the simplest person cannot feel the various phenomena of this world. Even the most uneducated and primitive person is probably able to feel the approach of spring and the joy of nature, and animals probably also change at the hormonal level and acquire some very specific feelings.

Nevertheless, if a simple person is only given the ability to feel and somehow internally record what is happening, then the poet is subject to the art of true alchemy: he knows how to do this when feelings flow into words and then form a lasting form. Each time reading a poem, this form again rises and is renewed in the consciousness of the reader, and often such a reader says to himself: yes, these are exactly the feelings that I have.

Before spring there are days like this.. - this is how the poem begins, which initially sounds like a simple and everyday description of an internal feeling. Akhmatova seems to be telling her friend something about the weather and her own feelings. The poetess is trying to capture the eternal beauty of nature, a certain element of this natural cycle.

In fact, the poem is, to some extent, a friend’s story, since it was written under the influence of Chulkova, with whom the poetess was friends. Chulkova suggested that Akhmatova try herself in landscape poetry. While at Gumilyov's dacha, Akhmatova wrote this verse.

In her work, the poetess tried to talk about the pre-spring feeling that is felt quite clearly in the soul every year. In fact, behind the description of the landscape, dry trees, snowy meadow, wind, lies a description of internal experiences. This fact is emphasized by the shift in emphasis to the lyrical hero, whose body is astonished at its lightness.

Why is the house not recognizable, the body seems light, and the boring song becomes interesting again? The reason lies in the inspiration that comes from anticipating the joy that spring brings. Some kind of joyful excitement really appears in the soul, which the poetess captures in the formula about a boring song, which “you sing like new with excitement.”

In such an amazing way, Akhmatova writes both in the meadow and in the snow, but describes the soul. Such is the skill of a poet.

Analysis of the poem Before spring there are days according to plan

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Anna Akhmatova
“Before spring there are days like this...”

March 5 is the day of memory of Anna Akhmatova. There is no need to tell anyone again that this is a great man. She openly revealed the world of the female soul without concealment and at the same time, very ethically and intimately. She lives in our hearts with her heartfelt lines...

Anna Andreevna Akhmatova (real name Gorenko) was born in Odessa (11) on June 23, 1889 in the family of a retired naval mechanical engineer. In 1910, she married the founder of Acmeism, Nikolai Gumilyov.

Akhmatova’s own poetic style was distinguished by a vivid combination of concrete verbal images and striking laconicism with updated rhythms. The famous literary critic V. Zhirmunsky compared Akhmatova’s work with the musical art of C. Debussy. The main, although not the only, theme of Anna Andreevna’s poems is love.

She published her first collection of poems in 1912. In 1914, the second collection “Rosary Beads” was published, which cemented the opinion of Akhmatova’s true poetic talent. In 1917, the next collection entitled “White Flock” appeared, in 1921 - “Plantain”, and in 1922 - the famous collection “MCMXXI”, which reflected all the notes of Anna Andreevna’s feelings and sorrow associated with the execution of her husband Nikolai Gumilyov.

After this, starting in 1922, all published collections of Akhmatova were subject to severe censorship by the Soviet government. And in August 1946, by a resolution of the Central Committee of the Communist Party, the work of Anna Akhmatova was condemned due to its inconsistency with the ideals of socialist construction.

Only in 1959 did Akhmatova’s poems begin to appear again in Soviet magazines. Only in the late 1980s did her poems begin to be published in full without censorship interference.

Anna Andreevna Akhmatova left this world on March 5, 1966 in serious illness and was buried in Komarovo.

A. A. AKHMATOVA.

“BEFORE SPRING THERE ARE DAYS LIKE THIS...”

COMPREHENSION OF BEAUTY

Target: to introduce students to the poetic world of A. A. Akhmatova, to the expressiveness of the poetess’s artistic language.

During the classes

I. Learning new material.

Teacher's opening speech.

Anna Andreevna Akhmatova (Gorenko) lived a long and difficult life. He was an extraordinarily talented, beautiful, majestic, integral and modest person.

In her autobiography “Briefly about myself,” Akhmatova writes.(slide 1)

“I was born on June 11 (23), 1989 near Odessa (Bolshoi Fontan). My father was at that time a retired naval mechanical engineer. As a one-year-old child, I was transported to the north - to Tsarskoye Selo. I lived there until I was 16 years old.

I wrote my first poem when I was 11 years old.”

Creative workout.

Let's do some creative exercise. The topic for this creative work was suggested to us by Anna Andreevna herself.

We'll talk about spring. For many, this is their favorite time of year. For nature, this is an awakening from sleep, a time of flowering and renewal. Try to express in one sentence the state of mind that spring evokes in you.

(Slides 2-4. Students read their examples and discuss with the teacher.)

3.Acquaintance with the work of A. A. Akhmatov.

Let's see how A. A. Akhmatova, in one sentence - but detailed, complex - conveys her feeling of the spring awakening of both nature and man.

We read the poem “Before spring there are days like this...”(slide 5)

What pictures does the poetess paint?

(The meadow is resting under the snow, the trees are rustling, the breeze is blowing. The landscape here is so sensually real, it’s all so familiar and familiar to us! We hear, see, touch, and taste the poetic world of Akhmatova (the world of her images).

Pay attention to the vocabulary of the poem, to the words and images.

(Vocabulary is everyday, colloquial.)

What do you think the lyrical hero is experiencing? Why is it so difficult to express this state in words?

(Out of ordinary words something elusive and unusual is born.)

Teacher. This is the peculiarity of Akhmatova’s lyrics: she does not speak about feelings directly, preferring hints. And the reader has his own thoughts, feelings, sensations, that is, associations.

Association - connection between separate representations, in which one of the representations causes another *.(Write in notebook.)

What did you remember, what did you feel while reading this poem by Akhmatova?
Which line “tells” us the state of the lyrical hero?

(“And you sing that song that you were tired of before, like a new one, with excitement.”)

This detail accurately conveys the mental turmoil of the lyrical hero. This is an expressive artistic detail.

What is unusual about the language of the poem?

(It begins with a preposition; a number of subsequent sentences begin with the conjunction “and”; the sentences are simple, small. There is a feeling of confidential conversation. This is another feature of Akhmatova’s lyrics. Many of her poems resemble either diary entries, or excerpts from a letter, or a complaint, or song in a low voice. They seem to be accidentally snatched from the flow of speech.)

4. Commented reading of poems

A. Akhmatova.

Teacher. Let’s continue the conversation about Akhmatova’s ability to “understand and love things... in their incomprehensible connection with the moments experienced,” and “things” are highlighted with the accuracy and sharpness of an “objective” vision. Listen to another poem.(slide 6)

1st reader. I pray to the window ray -

He is pale, thin, straight.

Today I have been silent since the morning,

And the heart is in half.

On my washstand

The copper has turned green

But this is how the ray plays on him,

What fun to watch.

So innocent and simple

In the evening silence,

But this temple is empty

It's like a golden holiday

And consolation to me.

Teacher. Almost nothing is said about the state of mind, only “the heart is in half.” The rest is miraculously clear without explanation. A simple household item, a washstand, is transformed by the play of a ray of sunshine, which for the lyrical heroine turns into a “golden holiday” and even “comfort.” An ordinary detail becomes significant. The sonorous syllable, light rhythm, simple vocabulary highlight and speak to grief, the first word and the last line seem to loop the composition of the poem, cure despair.

Now let's listen to how A. Akhmatova's poems were born.

2nd reader. If only you knew what kind of rubbish

Poems grow without shame,

Like a yellow dandelion by the fence,

Like burdocks and quinoa.

An angry shout, a fresh smell of tar,

Mysterious mold on the wall...

And the verse already sounds, perky, tender,

To the delight of you and me.

II. Summing up the lesson.

Homework:read other poems by Akhmatova; prepare an expressive reading of your favorite poem; write down your observations: what is unique about A. A. Akhmatova’s lyrics?