215 years ago, in March 1802, Ludwig van Beethoven's Sonata No. 14 was published, which the world knows primarily as the Lunar Sonata. Life tells about the girl who inspired the composer to create the work, about their unhappy love and about what the young seductress did to Beethoven.

At the time of writing the Moonlight Sonata, Ludwig van Beethoven was 31 years old and had been gradually losing his hearing for several years. The exact causes of the disease are still unknown, but the musician and composer, already recognized by that time in Vienna, had to stand very close to the orchestra in order to hear the high sounds of the instruments, and the speech of the people who spoke to him was barely distinguishable.

"The world is slipping away from me"

When the disease began to overtake the musician (around 1796), he was extremely saddened by this. Which is quite understandable: hearing loss was a threat to both writing and concert performances, that is, Beethoven's only earnings. By 1798, the composer's already severe and quick-tempered temper had become even worse. In his diaries, he wrote that he felt the world slipping away from him. He stopped meeting friends and appearing in the world, hiding from everyone the deafness that overtook him.

But everything changed when she came into his life. 17-year-old aristocrat of Italian origin Juliet Guicciardi came to Vienna from the provinces and, dreaming of becoming a pianist, was looking for a worthy teacher. There was no better teacher than Beethoven, especially since he had already taught her cousins. He agreed to teach lessons to the girl, and the summer of 1801 in Hungary at the Brunswick estate was the happiest of his life. Beethoven was captivated by the cheerfulness, good nature and sociability of the young student, and he immediately fell in love. The girl began to reciprocate - the composer wrote about this in a letter to Franz Wegeler in November 1801.

It has become more pleasurable for me to live, I meet people more often ... This change was made by the charm of one sweet girl. She loves me and I love her. The first happy moments in my life in the last two years

Beethoven wrote tender letters to his beloved while he was already in Vienna. In dreams of happiness, he began work on a sonata in C-sharp minor, which he called the Sonata in the spirit of fantasy.

I can only live with you, not otherwise; I decided to wander away from you until I am able to fly in order to throw myself into your arms, feel you completely mine and enjoy this bliss

From Beethoven's letter to Juliette Guicciardi, 1801

Lively, flirtatious and empty

Beethoven seriously thought about proposing to Guicciardi, all that remained was to prepare for such an unequal marriage financially (Beethoven did not have an aristocratic origin). But the happiness of the lovers was short-lived. This lively, flirtatious and empty woman, as music historians describe her, quickly switched to another. Apparently, the young girl was quickly tired of the difficult nature of her teacher and lover, and his deafness and smallpox-disfigured face began to reject her. A new object of Juliet's attention was also a musician and composer, but already a count - Wenzel Robert von Gallenberg. This love triangle was even made into the film "Immortal Beloved" directed by Bernard Rose.

In the last, farewell, letter to Beethoven, Juliet explains her departure in a very naive way.

I'm going from a genius who has already won to a genius who is still fighting for recognition. I want to be his guardian angel

Juliet Guicciardi

Soon Juliet became the Countess of Gallenberg, but the life of the young did not work out: they did not have enough money. According to critics and musicologists, the count was such a mediocre composer that he could not earn a decent living, and he did not have any fortune or inheritance. According to some reports, Beethoven even helped Juliet with money when she was already married, because he did not stop loving her.

After Beethoven's death, a letter was found in his desk drawer addressed to the careless Juliet. In it, the composer confesses to her how much she meant to him and how much her betrayal hurt him.

One of the most famous works of the composer, the Moonlight Sonata, was named by one of Beethoven's best friends, the poet Ludwig Relshtab, after the composer's death. He compared the music to the quiet expanse of the Firwaldstet lake, on which a lonely boat floats under the light of the moon.

The history of the creation of Beethoven's Moonlight Sonata is closely connected with his biography, as well as with hearing loss. While writing his famous work, he experienced serious problems with health, although he was at the top of popularity. He was a welcome guest in aristocratic salons, worked hard and was considered a fashionable musician. On his account there were already many works, including sonatas. However, it is the essay in question that is considered one of the most successful in his work.

Acquaintance with Juliet Guicciardi

The history of the creation of Beethoven's "Moonlight Sonata" is directly related to this woman, since it was to her that he dedicated his new creation. She was a countess and at the time of her acquaintance with the famous composer she was at a very young age.

Together with her cousins, the girl began to take lessons from him and conquered her teacher with cheerfulness, good nature and sociability. Beethoven fell in love with her and dreamed of marrying the young beauty. This new feeling caused him a creative upsurge, and he enthusiastically began to work on a work that has now acquired cult status.

Gap

The history of the creation of Beethoven's Moonlight Sonata, in fact, repeats all the vicissitudes of this personal drama of the composer. Juliet loved her teacher, and at first it seemed that marriage was on the way. However, the young coquette subsequently preferred a prominent count to a poor musician, whom she eventually married. This was a heavy blow for the composer, which was reflected in the second part of the work in question. It feels pain, anger and despair, which contrast sharply with the serene sound of the first movement. The author's depression was exacerbated by hearing loss.

Disease

The history of the creation of Beethoven's Moonlight Sonata is as dramatic as the fate of its author. He was suffering from serious problems due to inflammation of the auditory nerve, which led to an almost complete loss of hearing. He was forced to stand close to the stage in order to hear the sounds. This could not but affect his work.

Beethoven was famous for being able to accurately select the right notes, choosing the right musical shades and keys from the rich palette of the orchestra. Now it was becoming more and more difficult for him to work every day. The gloomy mood of the composer was also reflected in the work in question, in the second part of which the motive of a rebellious impulse sounds, which seems to find no way out. Undoubtedly, this theme is connected with the torments that the composer experienced when writing a melody.

Name

Of great importance for understanding the composer's work is the history of the creation of Beethoven's Moonlight Sonata. Briefly, the following can be said about this event: it testifies to the composer's impressionability, as well as how close he took this personal tragedy to his heart. Therefore, the second part of the work is written in an angry tone, which is why many believe that the title does not match the content.

However, to the composer's friend, poet and music critic Ludwig Relshtab, she recalled the image of a night lake with moonlight. The second version of the origin of the name is connected with the fact that at the time under consideration the fashion for everything that was somehow connected with the moon dominated, so contemporaries willingly accepted this beautiful epithet.

Further fate

The history of the creation of Beethoven's Moonlight Sonata should be briefly considered in the context of the composer's biography, since unrequited love influenced his entire subsequent life. After parting with Juliet, he left Vienna and moved to the city, where he wrote his famous will. In it, he poured out those bitter feelings that were reflected in his work. The composer wrote that, despite the apparent gloom and gloom, he was predisposed to kindness and tenderness. He also complained about his deafness.

The history of the creation of Beethoven's Moonlight Sonata 14 helps in many ways to understand further developments in his destiny. Out of desperation, he almost decided to commit suicide, but in the end he gathered his strength and, being already almost completely deaf, wrote his most famous works. A few years later, the lovers met again. It is indicative that Juliet was the first to come to the composer.

She recalled a happy youth, complained about poverty and asked for money. Beethoven lent her a significant amount, but asked her not to see him again. In 1826, the maestro fell seriously ill and suffered for several months, but not so much from physical pain as from the consciousness that he could not work. The following year he died, and after his death a tender letter dedicated to Juliet was found, proving that the great musician retained a feeling of love for the woman who inspired him to write his most famous composition. So, one of the most prominent representatives was Ludwig van Beethoven. The Moonlight Sonata, the history of which was briefly revealed in this essay, is still performed on the best stages around the world.

Ludwig van Beethoven "Pathétique Sonata"

Piano works of the Viennese classic Ludwig van Beethoven can be called an immortal heritage, which reflects not only the inner feelings of the composer, but also changes in the era. Beethoven's "Pathetic Sonata" is one of the brightest works of the middle creative period of the composer's life.

History of creation "Pathetic Sonata" Beethoven, the content of the work and the set interesting facts read on our page.

History of creation

The sonata is dedicated to a close friend and admirer of Beethoven's work - Prince Likhnovsky.

At the time of writing the work, the composer was on the threshold of his thirtieth birthday. Then the first signs of imminent deafness became noticeable. Work on the essay was carried out for about a year. It was a difficult time in my life: every day my hearing got worse and worse, and the doctors' forecasts were disappointing. did not leave his own musical craft, he still with the same zeal composed grandiose and completely new works in style, but which were filled with radically different meanings. All the pain and faith in the best were realized in " Pathetic sonata».

The sonata was first published in 1799. It was a real premiere for the society. Not every person could understand a real innovative language, so a serious dispute broke out between dogmatic people who wanted to keep the old and between innovators who want to move forward and are not afraid of the new and interesting. Never before had any piano work aroused such heated discussion. Beethoven, on the other hand, calmly reacted to the reaction of society, he was used to the fact that his music causes ambiguous feelings in people.

Interesting Facts:

• Namely, deafness prompted Beethoven to compose many of the works that have a dramatic or even tragic concept. The first signs of hearing loss were noticed in 1797. By the time the Eighth Sonata was written, he was already hard of hearing. It should be noted that before the appearance this disease brought the habit of Ludwig before the next composition of works to lower his head into the icy water.
• Inspired by Beethoven's music, playwright Mikola Kulish composed one of the most provocative plays in history in 1929. communist USSR called "Pathetic Sonata". It is noteworthy that it has little in common with the plot of the work, since ordinary Soviet people become heroes, but the music accompanies the performance from beginning to end, filling it with emotional coloring.
• When I heard Beethoven's Eighth Sonata for the first time, Haydn , being a former teacher of Ludwig, said that he had a feeling that the composer had several heads instead of one, several hot hearts instead of one and several souls instead of one! His imagination and fantasy of the author strikes him to the depths of his soul. Then Haydn paused and added that in his music one can always find something irresistibly dark and gloomy, something that truly expresses the composer's style.

• The sonata is a truly revolutionary work, so, after the first performance of the composition, the audience was divided into two camps. Some said that this was an innovation that deserved the encouragement of the author, while others believed that feelings should not be flaunted, and considered the work vulgar and unworthy. Fortunately, there were more fans of Beethoven's work than haters.
• The reflection of many musical impressions of the composer can be found in this sonata. For example, the theatricality of the work is a response of admiration from the heard Gluck's opera "Orpheus and Eurydice" . Heroic style, minor scale, grandiose scale and dialogism - this is what proves the kinship and closeness with the operatic genre, namely with Gluck's work. Often the struggle of man with fate is compared with the clash between Orpheus and the Furies.

• The famous pianist Ignaz Moscheles, at the age of 10, memorized the musical text of the work and performed it in front of the most diverse audience. According to his story, there were always people who were either immensely delighted with innovation, or those who were bored, not understanding the beauty of the musical and expressive means used by the author. It is noteworthy that the little pianist could not acquire the notes for lack of funds, so he rewrote them at night, while no one saw. Everything would have been fine if one day he had not blabbed about his "heroic" act to the teacher. He was furious and kicked him out of school. But all for the better, because the boy got to study with Beethoven.
• In the conservatories of Vienna, it was forbidden to play this work, since the only truly valuable composers, useful for studying, were considered there Bach , Mozart and Clementi.
• The author believed that he would be able to overcome all the hardships prepared for him by fate, that someday he would again be able to hear music. Perhaps that is why the ending is so optimistic. In the future, the theme of fate will become an insurmountable pain for the composer.

Few people know, but Ludwig van Beethoven was seriously fond of the philosophical teachings of contemporary thinkers. The sonata got its name from the author, which was quite rare, since Beethoven did not often try to create program compositions. The composer refers us to the term "Pathetics", which was first used famous philosopher Friedrich Schiller. Pathetics means the power of tragedy, the passion for the triumph of justice, as well as the desire for the concept of overcoming.

Romain Rolland emphasized that the theatrical drama is the basis of the work. So he assumed that the composition is built precisely by means of dramaturgy, including using a standard scheme:

1. Exposition of the main characters (fate, as the destination of fate, and the struggle of man). The leitmotif of fate sounds already in the first bars. For the first time, the introduction became a theme that permeated the essay from beginning to end.
2. The beginning of the conflict occurs in the first bars of the piece.
3. Climax. Achievement of the highest dramatic point of the work.
4. Decoupling in the code of the third part. Man has conquered evil fate.

Beethoven's Pathetique Sonata has a classic three-part structure:

1. The first movement is in Allegro con brio tempo with a slow intro in Grave tempo.
2. The second movement is written in Adagio cantabile tempo.
3. The third movement is in the form of a speedy rondo.

Part 1 (listen)

2nd part (listen)

3rd part (listen)

In the work, two worlds are sharply opposed: namely, the world of dreams and dreams of the hero and the real world, which has the beginning of evil fate. Throughout the work, fate invades the hero's world, painting it in dark colors. In accordance with the parts, one can single out the conceptual ideas of the author regarding the development of the storyline of the sonata:

1. First part. Contrasting the images of man and fate. Using the musical technique of dialogic contrast. The struggle of a hero passionate for the idea and inexorable fate. The conflict is heated by the constant repetition of the theme of fate. It seems that the atmosphere is heating up and leading to hopelessness. The material is constantly evolving, creating sharper angles of conflict. Only in the code the main theme of the lyrical hero sounds convincing and the “last word” remains with the person.
2. Second part works opens up new facets of the world of the lyrical hero. The listener enters the world of dreams, dreams and inspiration. The form of the movement is a rondo with contrasting episodes. If the first episode complements and enhances the intonations of the refrain, then the second episode brings a sense of drama, it is composed in minor key and is the climax of this movement. The mood of the refrain changes in the last passage, it becomes restless due to the use of triplet intonations, and creates a feeling of a coming storm in the music.
3. The third part written in the form of a rondo and opens up new facets of a person's character. He is ready to challenge fate, the hero believes that there are no insurmountable situations. Energetic passages, cadence turns unusually built in terms of the harmony of that time - all this confirms the intentions of the lyrical hero. The refrain is written in the main key, namely in c-moll, which is a reminder of the difficult lot of a person, of his path, which is filled with sadness and sadness. Episodes are reflections, they reflect feelings, experiences, as well as an unbridled desire for victory. The conflict in the code ends in a positive way. Man defeated evil fate, he turned out to be stronger than fate.

The concept of the work clearly describes the philosophy of choice: each person creates his own destiny. It all depends on the choice: give up or fight, become stronger and braver, or just drag out a miserable existence. Just one decision can drastically change your life. The main thing is not to go with the flow, being content with little, but to try to grab fate by the throat, preventing it from destroying the ideal world. Fatum and fate are only the consequences of a choice, so we can create our path with our own hands and thoughts. Sonata proves this, because a person is capable of much, the main thing is to have faith in strength, and not to succumb to despondency.

The sonata clearly expresses Beethoven's characteristic piano style, which seriously differs from the work of the French harpsichord masters. The bright brilliance of the chords, covering the range of the entire piano keyboard, is inherent in Beethoven's composing style. Dynamic and figurative contrast is present in each of the parts of the work. Use of contrasting registers. Directness and clarity of harmony instead of ornamentality and patterning. Active use of the pedal, which was rare for pianists and composers of that era. All this helps Beethoven to create a truly individual, characteristic style. Subsequently, music became the standard for expressing drama and achieving clarity of musical thought. Such great composers as Brahms, Wagner, Honegger, Mussorgsky and other geniuses studied on the musical text of the Pathetic Sonata.

The music of the "Pathetic Sonata" has a rather bright emotional coloring. Perhaps it is for this reason that many directors and filmmakers use music in their own work. To date, a masterpiece of classical music has supplemented episodes of films such as:

• Jurassic Park: The Lost World (1997);
• Elysium is a paradise not on Earth (2013);
• William Turner (2014);
• Best man for rent (2015);
• Age of Innocence (1993);
• Before Dawn (1995);
• confessions dangerous person (2002);
• Star Trek: Uprising (1998);
• Romy and Michelle at the reunion (1997);
• Lost World (1999).

Sonata No. 8 justifies the value of its own number, because it has an infinitely inexhaustible content. It will forever sound and resonate in the hearts of people. Each listener will be able to comprehend the boundless world created by the brilliant composer, whose name is Ludwig van Beethoven.

Video: Listen to Beethoven's Pathetique Sonata

The history of the creation of "Moonlight Sonata" by L. Beethoven

At the very end of the 18th century, Ludwig van Beethoven was in his prime, he was incredibly popular, led an active social life, he could rightfully be called the idol of the youth of that time. But one circumstance began to overshadow the life of the composer - a gradually fading ear. “I drag out a bitter existence,” Beethoven wrote to his friend. “I am deaf. With my craft, nothing can be more terrible ... Oh, if I got rid of this disease, I would embrace the whole world.

In 1800, Beethoven met the Guicciardi aristocrats who had come from Italy to Vienna. The daughter of a respectable family, sixteen-year-old Juliet, had good musical abilities and wished to take piano lessons from the idol of the Viennese aristocracy. Beethoven does not take payment from the young countess, and she in turn gives him a dozen shirts that she sewed herself.

Beethoven was a strict teacher. When he didn’t like Juliet’s playing, he was annoyed and threw notes on the floor, defiantly turned away from the girl, and she silently collected notebooks from the floor.
Juliette was pretty, young, outgoing and flirtatious with her 30-year-old teacher. And Beethoven succumbed to her charm. “Now I am more often in society, and therefore my life has become more cheerful,” he wrote to Franz Wegeler in November 1800. - This change was made in me by a sweet, charming girl who loves me, and whom I love. I again have bright moments, and I come to the conclusion that marriage can make a person happy. Beethoven thought about marriage despite the fact that the girl belonged to an aristocratic family. But the composer in love consoled himself with the fact that he would give concerts, achieve independence, and then marriage would become possible.

He spent the summer of 1801 in Hungary at the estate of the Hungarian counts of Brunswick, relatives of Juliet's mother, in Korompa. The summer spent with his beloved was the happiest time for Beethoven.
At the peak of his feelings, the composer set about creating a new sonata. The arbor, in which, according to legend, Beethoven composed magical music, has been preserved to this day. In the homeland of the work, in Austria, it is known under the name "Garden House Sonata" or "Sonata - Arbor".

The sonata began in a state of great love, delight and hope. Beethoven was sure that Juliet had the most tender feelings for him. Many years later, in 1823, Beethoven, then already deaf and communicating with the help of conversational notebooks, talking with Schindler, wrote: “I was very loved by her and more than ever, was her husband ...”
In the winter of 1801-1802, Beethoven completed the composition of a new work. And in March 1802, Sonata No. 14, which the composer called quasi una Fantasia, that is, "in the spirit of fantasy", was published in Bonn with the dedication "Alla Damigella Contessa Giullietta Guicciardri" ("Dedicated to Countess Juliette Guicciardi").
The composer was finishing his masterpiece in anger, fury and the strongest resentment: from the first months of 1802, the windy coquette showed a clear preference for the eighteen-year-old Count Robert von Gallenberg, who was also fond of music and composed very mediocre musical opuses. However, Juliet Gallenberg seemed brilliant.
The whole storm of human emotions that was in Beethoven's soul at that time, the composer conveys in his sonata. These are grief, doubts, jealousy, doom, passion, hope, longing, tenderness and, of course, love.

Beethoven and Juliet broke up. And even later, the composer received a letter. It ended with cruel words: “I am leaving a genius who has already won, to a genius who is still fighting for recognition. I want to be his guardian angel." It was a "double blow" - as a man and as a musician. In 1803 Giulietta Guicciardi married Gallenberg and left for Italy.
In turmoil in October 1802, Beethoven left Vienna and went to Heiligenstadt, where he wrote the famous "Heiligenstadt Testament" (October 6, 1802): "Oh you people who think that I am malicious, stubborn, ill-mannered - how unfair to me; you do not know the secret reason for what you think. Since childhood, I have been predisposed in my heart and mind to a tender feeling of kindness, I have always been ready to do great things. But just think that for six years now I have been in an unfortunate state ... I am completely deaf ... "
Fear, the collapse of hopes give rise to thoughts of suicide in the composer. But Beethoven gathered his strength, decided to start new life and in almost absolute deafness created great masterpieces.
In 1821 Juliet returned to Austria and came to live with Beethoven. Crying, she recalled the wonderful time when the composer was her teacher, talked about the poverty and difficulties of her family, asked to forgive her and help with money. Being a kind and noble man, the maestro gave her a significant amount, but asked her to leave and never appear in his house. Beethoven seemed indifferent and indifferent. But who knows what was going on in his heart, torn by numerous disappointments.
“I despised her,” Beethoven recalled much later. “After all, if I wanted to give my life to this love, what would be left for the noble, for the higher?”

In the autumn of 1826, Beethoven fell ill. Exhausting treatment, three complex operations could not put the composer on his feet. Throughout the winter, without getting out of bed, he was completely deaf, tormented by the fact that ... he could not continue to work. On March 26, 1827, the great musical genius Ludwig van Beethoven died.
After his death, a letter “To the immortal beloved” was found in a secret drawer of the wardrobe (this is how Beethoven titled the letter himself): “My angel, my everything, my self ... Why is there deep sadness where necessity reigns? Can our love endure only at the cost of sacrifice by refusing to be full, can't you change the situation in which you are not wholly mine and I am not wholly yours? What a life! Without you! So close! So far! What longing and tears for you - you - you, my life, my everything ... ”Many will then argue about who exactly the message is addressed to. But a small fact points specifically to Juliet Guicciardi: next to the letter was a tiny portrait of Beethoven's beloved, made by an unknown master, and the Heiligenstadt Testament.

Be that as it may, it was Juliet who inspired Beethoven to write an immortal masterpiece.
“The monument to love, which he wanted to create with this sonata, very naturally turned into a mausoleum. For a man like Beethoven, love could not be anything else than hope beyond the grave and sorrow, spiritual mourning here on earth ”(Alexander Serov, composer and music critic).
Sonata "in the spirit of fantasy" was at first simply Sonata No. 14 in C-sharp minor, which consisted of three movements - Adagio, Allegro and Finale. In 1832, the German poet Ludwig Relshtab, one of Beethoven's friends, saw in the first part of the work the image of Lake Lucerne on a quiet night, with overflows reflected from the surface moonlight. He suggested the name "Lunar". Years will pass, and the first measured part of the work: “Adagio sonata N 14 quasi una fantasia”, will become known to the whole world under the name “Moonlight Sonata”.

Ludwig van Beethoven put into his work the pain of his own broken heart and the bitterness of the betrayal of the cold coquette Juliet Guicciardi

The enchanting sounds of the well-known "Moonlight Sonata" hide the suffering and pain from unrequited love. After all, only a suffering person is capable of true inspiration, only heartache becomes a source of brilliant works. “Moonlight Sonata” has been disturbing our hearts for more than one hundred years, making us cry and remember the most cherished.

Aspiring musician

Beethoven began to study music at the age of four - at the insistence of his father, an authoritarian, despotic and tough person. Already at eight Ludwig gave concerts. And when he turned 17, he decided to fulfill his dream - to leave his native Bonn for Vienna, this capital of musicians.

The unsociable and gloomy young man seemed to those around him ill-mannered and rude. In fact, Beethoven was always distinguished by subtlety of feelings and vulnerability, he only tried to hide his true nature deep in his soul, fearing ridicule and disappointment. He always dreamed of meeting his idol - Wolfgang Amadeus Mozart highly appreciating his talent. It is not known whether these two great musicians personally knew each other, only one thing is certain: Mozart advised his contemporaries to pay attention to Beethoven, prophesying a great future for him.

In 1795, the 25-year-old Beethoven performed for the first time in Vienna with his own piano concerto - and received warm applause. From that day began his victorious ascent to the musical Olympus.

deaf musician

However, a year later, the talented composer begins to quickly lose his hearing. It is hard to imagine what a tragedy this was for a person in love with music. Despite all the difficulties - after all, every day more and more, in his own words, “the world eluded him”, losing sounds, Beethoven stubbornly continued to work, creating more and more new musical works.

The ninth symphony - "Ode to Joy" - made a splash among the audience, but by that moment Beethoven himself could not even hear the thunder of applause that his enthusiastic fans bestowed on him: he had to turn around to the hall to see admiring faces and understand that he had come real success.

The rumor, meanwhile, was getting weaker. Beethoven continued to compose music, but it became increasingly difficult for him to give concerts, and he soon ceases this activity. He would have had a really bad time - and financially as well - but the private lessons he gave to novice musicians helped out.

Musician in love

And one day, 30-year-old Beethoven was overtaken by love. He could not resist the charms of a young 16-year-old student. Juliet Guicciardi belonged to an aristocratic family - unlike Beethoven. However, neither the difference in position, nor the difference in age, nor other obstacles cooled the ardor of a genius. Beethoven enthusiastically wrote about his love to friends, confident that his feelings were mutual.

The girl simply flirted with the famous composer, she was flattered by the attention of such a famous and talented admirer, she was not even embarrassed by the attacks of the maestro's anger, during which he, irritated by the unimportant successes of the student, could throw notebooks with notes on the floor.

Naive as a child, Beethoven hoped to marry the lovely Juliet. He dreamed about how he would give more lessons, earn a lot of money, and then ... An empty, frivolous girl, without hesitation, gave him some hope. As a payment for the lessons, the young aristocrat came up with the idea of ​​giving the maestro embroidered shirts with her own hands: after all, he did not take money from her. And once Juliet coquettishly asked me to write a sonata for her. Beethoven set to work with zeal. At the same time, he often wrote letters to his beloved, calling her an angel, assuring her of the eternity of his feelings and begging for reciprocity.

Juliet seemed to have no intention of pushing him away. In any case, the girl did not refuse the composer's invitation to spend the summer with him in Hungary, on the estate Brunswick. They walked for a long time in the garden, sat in the gazebo and had romantic conversations.

However, the idyll soon ended. The windy aristocrat preferred an equal in position - a rich count Robert von Gallenberg. The count also played music and even composed musical works himself. Juliet found them brilliant and did not hesitate to tell Beethoven about it. The enraged composer, seeing all the insignificance of the count's opuses and the deceit of his unfaithful lover, suffered incredibly, realizing his own impotence. In anger, Beethoven forbade Juliet to come to him. Soon he received a letter from her: Juliet once again called Gallenberg a genius and expressed her intention to become his guardian angel.